I initially worked on the can design. In designing the titular death ray, I hit upon a few key elements that work together; a peace sign in the death ray tower’s structural beams, a radio wave pattern emanating from the top of the tower, a firing beam that creates a jagged border, and a strong teal color that sits well on the black can. All of these elements came together to provide a distinct brand that has a lot of assets that can be used across deliverables. I added in a death dove and a hop machine, came up with the “powered by hops” tagline, and we were cooking!
Moving from the can design to the packaging design allowed me a lot more real estate to play with, and I was able to craft some eye-catching visuals to drive eyeballs. Using the radio wave pattern as a main focal point on the packaging definitely stands out on a shelf which was an important goal to hit.
Because I think in branding, I wanted to create a badge logo that could be used to identify the entire beer line. I came up with a new way to showcase the peace sign formed out of the death ray and its firing beam. I paired it with a thick industrial sans serif and we were firing on all cylinders!
From there, I developed a lab-full of collateral; tap handles, billboards, wall posters and signs, tent backdrops, case stackers at liquor stores, kick-off party invitations, etc. All of these designs live in the same world; the brand consistency between them all is intentionally strong.
For the Cold IPA can, I got to design a complex line ullustration printed on the cans, with the WPDR label printed on a sticker on top of it. Go ahead and peel that top label off, and take a journey into the scientist's lab!